This enhanced podcast introduces the viewer to the importance of planning in photography when working at twilight, in this case while photographing Water Fire, a periodic piece of performance art in Providence, Rhode Island. Read More
I am now heading home after a productive workshop in Guatemala, where the mix of cameras the students had in the class struck me as interesting. The discussion we had around camera choices is something that I thought would interest other photographers. (This is the second of two entries on the topic of what kind of tools I use.) Read More
I am finishing up a great workshop in Guatemala, which has been both fun and also challenging. As photographers, we had some in depth discussions about problems that we had to resolve so we could make our photographs, discussions which I thought would interest other photographers. (This is the first of two entries on what kind of tools I use.) Read More
A friend asked me about web sites and I got to thinking about my own web site. I considered how it evolved from a coding disaster, to a nice try, and finally to the real thing. My path, with all its ups and downs, may be instructive for other photographers thinking about their existing (or) future web sites. Read More
I write this at the start of my trip to Guatemala. This is the seventh or eighth time I have been here. When I can, I prefer to visit a place more than once so I can better understand the local culture, see how that changes over time, and of course photograph. Waking up in another country prompted me to think about what I have learned about working in different cultures, which might help other photographers who are planning to do the same. Read More
This podcast explores the evolution of my photo-essays, including many of my grant-funded projects, including my work on the pesticide poisoning of farm-workers in California, the Israeli and Palestinian conflict, fishermen in Gloucester , MA as well as the communities of South Asian immigrants in America Read More
I am heading off to Guatemala later this week. Besides getting away from the lingering winter cold in Rhode Island, I am going there to teach. That got me to thinking about workshops and teaching as well as why I do it and the transformative power of photography. Read More
I almost never crop the photographs that I make. For me, the best images are captured by careful composition in the camera, and not ‘saved” by cropping after the fact. I will be the first to admit that I was not always so disciplined. In tracing my evolution from mad cropper to full frame perfectionist, I realized the idea of not cropping went from technical objective to moral imperative to aesthetic goal and now is a philosophical mission. Read More
Who are you taking pictures for? That’s a question that photojournalists hear a lot. But, I think ALL photographers should be asking themselves that question. In the process of sorting that question out, most photographers divide their efforts into “personal work,” and “commercial work.” I am not so sure about the wisdom of such clear demarcations. Read More
As commercial photographers, we are continually adapting to new technologies, moving from black and white, to color (then to slides) and now to digital. Similarly we are often expected to adopt new strategies and philosophies as the market we work within changes. More and more folks I hear from are finding that second process of adopting harder to take, and I am not sure it is just a function of our advancing ages. Read More