In late December of 2013, I spent a few hours watching planes land at LAX (Los Angeles International Airport.) During the three hours, I made a series of time-lapse animations, which I then made into this short, thirty second video. Read More
Throughout my career as a commercial photographer, I have had a fairly consistent attitude about copyright theft (and its impact on my imagery.) This was based on my world-view of the photography market and my ability to realistically respond/control that. A recent experience has shown me that my attitude was, to put it bluntly, wrong. Read More
A former student of mine, who has gone on to great accomplishment, wrote me with a GREAT question. My answer was be used on his blog page, but I thought it was such a good question that I am cross posting it on my page as well. Read More
In November of 2013, I took part in a lighting Workshop with Olympus Trailblazer, portrait and fashion photographer Victor Rodriguez, Jr., at the ArtsQuest Center at SteelStacks in Bethlehem, PA. During the three hour workshop, I gathered video clips, which I then made into this short, three minute video. Read More
Most professionals (and serious photographers) working digitally, shoot RAW files. They usually do so because of the incredible degree of control and the higher image quality that comes with RAW files. Being able to correct white balance after the fact is one of the many great things about RAW files. The worst thing about RAW files, in my mind, is what I call the ongoing proprietary RAW file wars. In this blog entry, I will talk about what you need to know to stay clear of the RAW format wars. Read More
I recently had the privilege of jurying the work for Car Culture competition for the PhotoPlace Gallery in Vermont. It was real education, both in terms of photography and learning about the global world of cars. As a photo-educator, I look at moments like this as “teaching moments” and so I wrote this blog entry about the jurying process. (As I also wrote the “juror’s statement that will accompany the final exhibition of prints that will opens at the PhotoPlace Gallery today, November 8th.) Read More
In October of 2013, I was working in California and I made this brief (but fun) time-lapse animation of the night sky as it transitioned into a daylight sky. Read More
For the last two weeks of December of 2010 and most of January of 2011, I was on the road for work, fun and family reasons. I learned a few new things—and reconfirmed a few old ones—while I worked in different parts of India and Vietnam, and spent some time in Singapore. Always the teacher, I was watching my own photographing process to see if there were any lessons worth sharing. One thing struck me as a potentially interesting lesson for any serious photographer. Read More
Someone recently asked for a “super basic lesson on flash” in, as they said, “one or two steps.” When I say flash, I mean supplementary light that is being used when documenting people, places or things as they are presented to you. I am NOT talking about studio work, where you can control the light and the subject. I am talking about when the photographer has to react to the subject and the light as they are given. Read More
I write this entry in mid-May in a pretty agitated state of mind. I am posting this in September because posting it in May might have burnt a bridge for me professionally. I also wanted to see if the anger I felt back in May subsided. It has not and so I am burning a bridge now. Read More