Category: General

What flash cards you use…

An advertising campaign that is currently running in many magazines is built around the tag line, “who insures you does not matter, until it does.” One ad shows a golfer on a course, calculating his putt, and in the background is an approaching alligator. The images are not that memorable and the campaign fails (in my eyes) because I simply cannot remember which insurance company is being promoted through the ads. The thing that is the most memorable is that tag line, which prompted me to think about how that might apply in photography. That led me to think about flash cards of all things. Read More

An evening with Jackson Browne

I attended a Jackson Browne concert in Hanford, California last weekend. I have loved his music since I was introduced to it in high school. I have followed his career and music over the years, attending concerts along the way, when I could afford it and when our paths crossed. The Hanford concert was in a wonderful small venue (and reasonably priced,) so I spent what was billed as “an evening with Jackson Browne.” Throughout the concert (and for days afterward,) I was thinking about my photography, his music and why I felt such an affinity for his work. Read More

Keeping my momentum

As a self-employed editorial photographer, I tend to work in isolation. As a self-directed stock photographer with less and less assignment work, I need to keep motivated so I can move my work and career forward. One of the real joys of blogging and workshop teaching is that both of those do an excellent job of counterbalancing that isolation and keeping me motivated. I never really thought about this situation in those terms (or really much at all,) until someone wrote me with a question about isolation and momentum. Read More

Solving the problem of camera straps

Whenever I buy (or advise a photographer about) a piece of gear, I always use the same criteria. I simply ask, “Does it solve the problem?” I used to only apply that test to cameras or lenses. Increasingly, I use it when considering other camera related gear such as tripods and flash cards. I have been using it often recently because entrepreneurs are increasingly coming up with novel solutions to problems that I once thought were not “solvable.” A classic example of this is camera straps. Read More

Lessons learned judging a photo contest

I spent time in early October judging the annual Pollux Awards, which are given out by the Worldwide Photography Gala Awards. The juror’s statement, which I wrote after the judging, was recently posted along with the winning work. The whole process was an education for me. I thought that turning my experience into a blog entry would enable me to take others on the same educational journey that I recently undertook. Read More

Which camera do you use and why?

I just finished up a great road trip to California where I was photographing and teaching. Throughout the trip I was using my Olympus PEN cameras constantly. The reaction that my cameras drew was fascinating. Many of the students were very interested in what I was using because of the size of the cameras and lenses. Half the pros I encountered smirked at my “tiny” cameras. The other half wanted to know more. Nearly everyone asked the same question, which went something like “which camera do you use and why?” Read More

Where do you learn to be a photographer (part three of three)

For the last two weeks I have been blogging about the important question of where do you learn how to be a photographer? To date, I have explored my take on the future of commercial photography, called into the question the value of formal schooling and offered some on-line resources that can serve as well as school, if not better (and they are much cheaper.) I want to deconstruct a few of those same resources to suggest how to find value in reading them. Read More

Where do you learn to be a photographer (part two of three)

In last week’s blog entry I started to explore the question, where do you learn how to be a photographer? Much of that entry was speculating on what the business of photography will be like in the future. I also called into the question the benefit of formal study of photography, at least for those who want to be commercial photographers. Read More

Where do you learn to be a photographer (part one of three)

Eager young photographers write me often, telling me about what they want to do as photographers and asking for my help. Part of me says to tell them to “…run as fast as you can, away, away from this ever more crowded field.“ Another part of me says, wait, the business continues and is (in some way) growing, doubly so, with the movement of most communications media to the web, which is an ever more image-driven media. So there will be photographers in the future, though not the same kind of photographers as there used to be. I recently blogged about the best college for photographers being the one where you learn how to “think,” not just take pictures. That begs the question, where do you learn how to be a photographer? Read More

The failure of photography in tragedies beyond 9/11

For the last two weeks, I have been blogging about photography and the events of 9/11. First, I explored how the attacks have become something of a milestone marking major changes in the business and culture of photography. Then I pondered how those same events helped me understand my own process as a photographer. This week, I am considering what photography fails to do when it comes to tragedies, like 9/11. Read More