Tag: critique

Lessons learned jurying a photo competition

I recently had the privilege of jurying the work for Car Culture competition for the PhotoPlace Gallery in Vermont. It was real education, both in terms of photography and learning about the global world of cars. As a photo-educator, I look at moments like this as “teaching moments” and so I wrote this blog entry about the jurying process. (As I also wrote the “juror’s statement that will accompany the final exhibition of prints that will opens at the PhotoPlace Gallery today, November 8th.) Read More

Is Gene Smith turning in his grave?

I write this entry in mid-May in a pretty agitated state of mind.  I am posting this in September because posting it in May might have burnt a bridge for me professionally.  I also wanted to see if the anger I felt back in May subsided.  It has not and so I am burning a bridge now. Read More

Finland? Finland!

I spent the first two weeks of June teaching a photo-essay class to university students in Finland. When I started the class, I was worried if it would go well. I have a hard time working with college students, since most of them don’t want to speak out in class, out of fear of “sticking out from the crowd.” Since those same students were Finnish, a notoriously shy people, it had all the makings of a train wreck. I am thrilled to say it turned out much better than I expected. Read More

How a liberal arts education saved my career again and again

College graduation season is upon us and with it discussions about the importance of educating young people for the so called “jobs of the future.” With a daughter half way through college, I have plenty to worry about in terms of her future. Yet I am here to make a last stand for a liberal arts education, the one thing that has saved my career again and again. Read More

How fabricated images ruin my work

Another controversy is erupting in the world of photojournalism. The image that won World Press Photo of the Year 2012 is starting to look like it was HIGHLY manipulated or an outright composite. Though I no longer work as a photojournalist, I have been following this (and other recent image manipulation) controversies closely because it directly impacts my own work. Read More

Photography as a second language

With graduation season upon us, thousands of photographers-in-the making will soon be graduating from institutions across the country. The commencement speakers those students would be listening to will be loath to admit it, but getting paid to be a photographer is dying as a career option and it is clearly time for a new paradigm in the business of photography. Read More

Rochester takes down another photojournalist

The annual winners of the prestigious photojournalism contests are starting to be announced. Another photojournalist has got himself stuck in a controversy, largely of his own making. One upside is that this is one of those old fashioned ethical controversies where digital image manipulation had NOTHING to do with it. One downside to commenting on that is that I have indirect ties to a few of the players so I might appear to have a conflict of interest. I also thought that those ties gave me an unusual position to speak from in terms of the controversy. Read More

Getting to the emotional core


A friend recently attended a portfolio review event for photographers. In reporting back on her experience, two things were very apparent. First, her work was very well received, which was a “pleasant surprise” to her. While the reviewers varied in terms of exactly which images they were drawn to, there was near unanimous agreement about one problem with her presentation, which is what I am going to build this week’s blog entry around, a lesson every photographer should heed. Read More

Feedback through instant editing

Last week I blogged about what I now call “instant editing.” The idea was to share the top forty or sixty images from one day’s shoot with about ten peers right at the end of the day’s photographing in order to get some input on how to improve when photographing the next day. Last week, I talked about how I started this process (and why I hope to use it more in the future.) This week I want to share some of the comments that I received from my “reviewers.” What I found so interesting was not just what they said about the work, but how they said it. Their thinking is so compelling that I wanted to share it in order to possibly help others edit sets of images in the future. Read More

About ongoing, on-line critique groups

The photography world is often dominated by the rage for the latest camera, software or accessory. We all know that (and I am as guilty as the next person in terms of talking those up.) Long after the latest/greatest photo “toy” has been forgotten, there is one timeless thing that will make every one of us a better photographer, which is feedback. There are many ways to give and get that all-important feedback, much of which I have blogged about in the past. In my experience, one of the very best ways to get that is through an ongoing, on-line critique group. Read More