Akka (the movie)
My daughter and my niece spent the summer of 2010 volunteering at the Parikrma school in Bangalore, India. This short movie explores their experience living and working in India. Read More
My daughter and my niece spent the summer of 2010 volunteering at the Parikrma school in Bangalore, India. This short movie explores their experience living and working in India. Read More
After six fascinating weeks in India I flew home and I plunged right into a workshop in street photography at ICP (International Center for Photography) in New York City. Then I returned to Providence, to complete the sale of my house, move out of that and into a new apartment. Next week I am off to the Maine Media Workshops to teach another workshop. So, I have been busy! I have also been gathering snippets to share as the summer nears its end. Read More
My last blog entry, exploring gear and goals left me thinking about my own gear acquisition history. I have written before about how, these days, I tend to be slow to adopt new gear. I only displace technology that works well for me if the newer technology is a notable improvement. (DSLRs that capture video are one example of a notable technology shift.) I will be first to admit this was not always the case. In college and during my first few years as a freelancer, I churned through different sets of gear. I was trying to figure out who I was as a photographer (and which technology would help me make the photographs I wanted to make.) In looking back, I have noted that certain pieces of gear have stayed with me throughout over my career, including some that have been with me a very long time. Read More
A friend wrote me with a variation of the most common question I am asked, “What gear should I buy next?” In a technology-based pursuit like photography, the question appears to make sense. This is doubly so in a creative pursuit which is largely shared through advertising driven media. Before I answered him, I grilled him with a few more questions. Then I came back to him with a suggestion for the one thing that every photographer should be spending more time and money on, especially these days. Read More
I recently wound up a series of blog entries exploring my experiences with and thoughts about technology. The non-technological process of spring-cleaning prompted all of these posts. In the process of that cleaning (or more accurately my massive archival purge,) I looked at thousands and thousands of my old images. Some scared me, some impressed me and some surprised me. Though it was not my intention, it turned out to be a great way to consider the arc of my evolution, as a photographer and as a professional. Read More
I recently finished my annual class built around photographing the Tucson Rodeo. The weather was great and the pictures were even better! Most everyone we encountered was happy to be photographed. The class was a small group, so everyone got lots of attention. Because it was such a small group, I had time to analyze how each person learned. By the time the class was over, events had reminded me that in some ways, the most important thing ANY student should learn is exactly how they do learn.
I was recently catching up on my reading of photography magazines and enjoying one of my favorite magazines. I remembered what great a resource it was and how much I had learned from the recently started publication. Then I also remembered it was free, which made it all that much of a better “read.” I am assuming they make their money via advertising because they are not making it via subscriptions. I think one reason they are so successful (and get lots of advertising) is that they do a good job of staying “on message.” They focus on their one area of interest and largely ignoring the rest of the vast world of digital photography. Read More
I recently wound up my time in Asia with a stop in Singapore, where I gave a few short presentations to large audiences as well as some longer workshops for smaller audiences. Everyone I worked with seemed happy with what I did, so I will be going back next year. So keep an eye on the workshops page of my website to see exactly when I will be going back and what I will be doing. The very last thing I did when I was there this year was to teach my favorite class. I ended that class with my favorite teaching exercise. Read More
The class that I was teaching in India ended on the same note that many of my classes do. The students had made good progress and wanted to keep their creative growth going, after the class ended. I teased them, saying that about a week after the class they would all be “master” photographers. I say that to almost all my classes, because the things learned in a workshop take about a week to become an innate part of any student’s photography. The follow-up point is that about another week later, the skills they had learned in the class would start to diminish. The end of the joke is that about a month later, they would still be better photographers than when they entered the class, but no longer the “masters” they had briefly been. So what did I tell them to do to try to hold on to the “mastery” they had briefly achieved? Read More
I just finished classes in Singapore and India, two countries that could not appear to be more different. In Singapore I taught evening seminars, while in India, I taught a class over four days on “light, shadow, twilight and night.” Regardless of length, all the classes were journeys of sorts, physical and/or intellectual. On all of these “trips,” I was accompanied by different groups of Singaporean photographers. Working in such divergent countries, just a few days apart, got me thinking. Read More