New England based Visual Storyteller

Tag: prints

Selling prints, for love or money

I am just winding up a workshop in Italy, which was great fun (and equally great food.) A question that came up in this workshop, as it does in many, (and came in this week from a former student via e-mail) got me to thinking about selling photographs as fine art. The former student who raised the question is part of one of the ongoing critique groups that I lead, where I meet (on-line) with a few photographers every couple months to do a group critique of their ongoing projects. The question spurred an great dialogue within that group, which in turn spurred this blog entry. As I was laying out my thinking for the blog piece, I was thinking of titling it simply, the good, the bad and the ugly. Read More

Technologies, necessary and otherwise (part three)

This is the last of three blog entries, for the moment, exploring my thoughts on technology. The entire set came from things swirling through my head lately. Events, especially e-mails, prompted me to organize those thoughts into the first two e-mails. This entry explores the starting point for all three posts, which was the fairly non-technical process of spring-cleaning. Read More

Expanding thoughts on the question is photography art?

While en route to Guangzhou, China, we spent a few fascinating days in Hong Kong. A series of events got me thinking about the old “is photography art?” question. I am not sure that such a question is ever really likely to be fully “settled.” Based on what I saw and did while in Hong Kong, I added a couple of new perspectives to my own thinking about that question. Proof again that one benefit of going half way around the world is that you see things differently after such a trip. Read More

What kind of tools do I use and why? (Part one)

I am finishing up a great workshop in Guatemala, which has been both fun and also challenging. As photographers, we had some in depth discussions about problems that we had to resolve so we could make our photographs, discussions which I thought would interest other photographers. (This is the first of two entries on what kind of tools I use.) Read More

The importance of original source material

My daughter was recently talking to me about her growing passion for studying history, primarily through what she said were the best part, original source material. That reminded me of two points in my early life as a photographer, when what is now known as original source material changed my perspective on photography. Read More

The life and death and life of Polaroid pictures

Polaroids, those instant-developing images that we all came to love, seem like they would have become quaint in the digital age. Still the saga of Polaroid’s “images in an instant,” having gone through many incarnations over the years, continues. In fact, I just started using the first Polaroid product I have owned in a long time. Read More

Making inexpensive, high quality, archival photographic prints

An exhibition of what I call my “light study” work just closed in Providence. One of the many fun things about this show was that it featured my newest color “light study” work. In the past, this work was only in black and white, so this is a new and exciting direction for me. You can read more about the new work here: http://meredithcutler.com/image/david-h-wells-light-studies-for-artscope-magazine-septoct-2008. Read More

Color calibration made easy and accurate

One other piece of technology I discovered at the recent Photo Expo in NYC that really struck a chord with me was the Color Munki. It enables you to calibrate your entire color printing system, both printer AND your monitor screen, so they are all speaking the same language when it comes to color. Read More

B + W fiber prints from digital files

Though I work primarily in color, I have a long time love of black and white photography. For me the Holy Grail of black and white would be to merge digital capture with conventional, fiber-based output. Read More