I love teaching photography workshops. I get to help others improve their photography. I get to see the world through their eyes. I get to see new and interesting ways to see and photograph the world. I get to go all sorts of interesting places. I even get paid to do all that. Along the way though, I see people make the same mistakes over and over which ruin their workshop experience. Read More
I teach workshops overseas and domestically. I photograph overseas and domestically. In both cases there is one skill that I practice over and over that makes a huge difference when I photograph. It is the one thing that every photographer should master, whether or not they are attending one of my workshop (or anyone else’s.) Read More
In the first of this two-part blog posting, I wrote about all the non-gear related things that make my life easier as a photographic road warrior. In this posting I will talk about the gear related technologies that do the same thing for me. On my educational web-site, The Wells Point, I have a podcast showing all of the contents of my traveling camera bag. It is now slightly out of date, since I recently switched to the smaller Olympus Pen cameras, from the larger DSLRs. But the gear that I take with me (besides my cameras and lenses) has not changed at all. You can see exactly what that includes here. The logic behind switching to the smaller Olympus Pen cameras was the subject of a recent blog entry. Read More
I have been making photographs seriously since 1972, when I fell in love with photography during an intro to photography class in high school. I have been taking pictures for money since 1980, when I graduated from college after studying the history of photography. I have been traveling around the globe to make photographs (and to teach classes) since 1986. In all that time, I have used hundreds of different cameras. Along the way, I have picked up a few things that have become constants in my tool kit as a photographer. They are part of my process, regardless of where I go, who I am working for, or what gear I am working with. Read More
The very best way to improve as a photographer does not involve any particular piece of gear or course of study, nor does it involve apprenticing yourself to a master photographer. Impoverishing yourself by working on nothing but photography as something of a photographic “monk” will not do it, either. While all of these things may improve your photography, the best way is much simpler, yet for many photographers it seems much harder. Read More
Photography requires gear. Duh. That’s a given. Yet, the most important tool any photographer has is their mind, their eye, their humanity and their adaptability. Those are priceless, both in the fact that you can’t buy them and the fact that they are what will help you make exceptional photographs whenever you travel. Before you leave for any other culture, smart photographers prepare by reading up on cultural concerns they may encounter on the road. Read More
I was asked to be the juror for a photography competition on the theme of Far Away Places. As I reviewed the work, I tried to keep in mind the summary of the call for entries: From the far corners of your backyard to the far away country it takes weeks to traverse to, we want to see where you end up when you go “far away”. As I was editing, I was thinking how could I explain to those photographers who did not make the cut, why that had happened? So I kept notes as I went, which make up this blog entry, one that ideally would serve as the answer to those photographers who did not make the final cut.
I was flattered to be interviewed recently by a writer for the Washington Post for an article on “Travel Selfies.” For those of us of a certain age, who need a translation, that mean self-portraits made while traveling. These photos. at their best, both the traveler and the destination they traveled to. The conversation I had with the writer was fascinating and I took it as an opportunity to turn some time well spent into a blog entry. Read More
Old projects seem to have an odd way of circling back to haunt you. Sometimes that is economically, other times stylistically. An old project is back in mind right now which has prompted me to reconsider how, sixteen years ago I started an informal collaboration with two other photographers, using a primitive imaging technology called “film.” Almost two decades later, that project is coming to fruition, which prompted me to look back on one of if not the last projects that I worked on using film. Read More
Regular readers know that I am making a big push into video work. I find video an interesting way to tell stories, I like the fact that multiple senses are used in that story-telling, and of course, the publication photography business is moving that direction. I have had very positive reaction to my video “Cafe,’” which shows a locally owned and operated coffee place. One such response was music to my ears and lead me to write this blog entry. Read More