Every photographer has series of problems they have to solve. The most basic problem is how to get the subject in front of the camera onto the chip, film or paper. Another example of such a problem is what gear a traveling professional will take on the road and how will they carry that. In this podcast I take you inside my camera bag to show you how I solve that particular problem. Read More
I was thinking about old software and new software when a friend asked me about the new features of Lightroom 4. Since I am using Lightroom 2, I couldn’t say much. Then the same friend wrote me: “I recall being with you when you first loaded Lightroom on your laptop. Several of us were already using it and you finally decided it was better than what you were using.” While that statement is true on one level, it got me thinking about Lightroom, how I use that software and the general tendency in photography to buy the latest upgrade/lens/ etc. Read More
I was on the other end of the camera recently, for the first time in a long, long time and it was a fascinating experience. Being “on camera” is not something I do very often, so I was bit wary. Although the resulting images looked good (at least to me,) the entire process from start to finish was as interesting as the final result. A photographer being photographed! If that’s not the start of a good blog entry, I am not much of a blogger. Read More
There is a question that I am asked in most every class that I teach and during almost every presentation that I give. Ironically it is not about my cameras, though they come up often. Nor is it about my lenses, my table-top tripod or my electronic flash. The fact is that almost every photographer I encounter wants to talk about “it.” Yet few photographers have a clear answer to the question, which tells me that “it” is one of the most important (and unresolved) questions for today’s digital photographer. Read More
Among the classes that I taught while I was recently in Singapore, at the behest of Objectifs – Centre for Photography and Filmmaking, was a class on street photography. At the first meeting, I scanned the room like I always do. I saw Singaporeans of all ethnicities, a few Europeans and two people from India. What I did not see among the many eager faces were any men. The class went really well with only women and it set me to thinking about how, I could argue, the future of photography is women. Read More
What goes around comes around. There is nothing new under the sun. Everything old is new again. I have been rolling those cliché’s around in my head as I have been using a couple new lenses. The most interesting part of the process is how these lenses have taken me far back to my beginnings in photography. Yes, I use the latest in digital imaging gear, but I occasionally go back into the history of the medium to find technologies that make images look the way I want. The funniest part of putting this blog together was learning how a technology that I grew up with as a photographer has been relegated, by many photographers, to the status of a historical anomaly. Read More
Understanding histograms is the key to getting a good exposure in digital photography. In this podcast, I walk you through the basics of the histogram. I show images of histograms (and scenes I have photographed.) Understanding histograms is the key to mastering exposure, which is at the heart of good photography. Read More
I have a soft spot for science fiction, particularly the futuristic work found in movies like Blade Runner, Minority Report, 2001 A Space Odyssey and of course, Star Trek. I am less of a fan of movies like Alien or Independence Day, which strike me more as simple action movies set in the future. Having recently seen a few sci-fi movies has led me to ponder “the future.” I have also seen a couple of new photographic technologies that got me thinking about where our beloved medium is going. What I saw left me not altogether happy. To steal a line form the cartoon character Pogo “I have seen the future and the future is us.” Read More
My daughter is about to start her fresh-man (fresh-person?) orientation at college. This “momentous” occasion prompted me to think about college in general, as well as my own experience in college. Finally that led me to this blog entry, considering which is the “best” college for photographers.
Photographers of a certain age, like me, have been struggling with what we now know as white balance for as long as we have been making color photographs. Like so many technological changes, the control over white balance that comes with digital imaging is a blessing and occasionally a curse. I was reminded of this when I tried to answer a question posed to me recently about that very complex issue. Read More